दीपिका के इस लुक पर आपकी नजरें थम जाएंगी, देखें

मुम्बई: हाल में रिलीज हुई फिल्म ‘पद्मावत’ के लिए सिर कलम करने जैसी धमकी का सामना कर चुकीं अभिनेत्री दीपिका पादुकोण संजय लीला भंसाली द्वारा निर्देशित फिल्म की भारत में शानदार कमाई से बहुत उत्साहित और गौरवान्वित हैं।

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The homes of North Calcutta always fascinate me. Through winding lanes and decrepit alleys, one often stumbles upon ‘Paradise lost’. Humble tea stalls, crumbling book binding factories and dingy mustard oil presseries make way for forlorn palaces and music rooms of erstwhile ‘zamindars’. A lesson in sheer hedonistic maximalism. Osler and Baccarat chandeliers, completely engulfed in a shroud of cobwebs occasionally twinkling in the late afternoon sunlight, Devonshire china holding on for dear life on creaky cabinets, jostling for space amidst hand-painted tin and an occasional Lifebuoy soap perched precariously on a silver salver. Works of great European and Bengali masters co-existing in communal harmony with a calendar from a local pharmaceutical company, a withering taxidermy and Fuji-colour rendered black and white family portraits. As a parakeet and a cockatoo chirp in unison from the courtyard, my fingers swipe the dust from the walls to unveil yet another treasure. A hand-painted wallpaper from Paris, finely outlined with 18 carat gold! And one thought one knew the city! Video Courtesy: Sabyasachi #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 11:07pm PST

फिल्म के निर्माताओं -भंसाली प्रोडक्शन और वायाकॉम 18 मोशन पिक्चर्स- लगातार बॉक्स ऑफिस पर धमाल मचा रही है।

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In 2002, I rented my first apartment. And moved in there with my tailors and pattern makers. It was all under a thousand square feet. It would become my home, my factory and my atelier! I hand-painted the walls in ‘Bengal Red’ with motifs of flora and fauna inspired by the tree of life! The horses back then did look like rabbits and one bird I am sure looked a bit like a nondescript reptile. Old habits die hard and so a better version of the tree of life makes a second appearance. In Coromandel Red – dextrously hand-painted by The Sabyasachi Art Foundation. Video Courtesy: Sabyasachi #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 11:01pm PST

इस फिल्म की मेन एक्टे्रस दीपिका पादुकोण भी काफी खुश है।

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If you grew up in Bengal at the time I was growing up, sometime between late seventies and early eighties, you would know that the consumer was the designer. I spent hours watching my mother and her friends stretching organdy sarees over hand frames and hand painting exotic blooms on them. More often than not, they would match the blooms in their sarees to the real blooms on their hair. Talk about style! This is my homage to them. My mother and all her Bengal art school friends. What they lacked in terms of resources, they always over compensated with imagination. That is the true art of dressing well and good housekeeping! Video Courtesy: Sabyasachi #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:50am PST

जहां भी जाती है वह सुर्खियों में बन जाती है।

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The homes of North Calcutta always fascinate me. Through winding lanes and decrepit alleys, one often stumbles upon ‘Paradise lost’. Humble tea stalls, crumbling book binding factories and dingy mustard oil presseries make way for forlorn palaces and music rooms of erstwhile ‘zamindars’. A lesson in sheer hedonistic maximalism. Osler and Baccarat chandeliers, completely engulfed in a shroud of cobwebs occasionally twinkling in the late afternoon sunlight, Devonshire china holding on for dear life on creaky cabinets, jostling for space amidst hand-painted tin and an occasional Lifebuoy soap perched precariously on a silver salver. Works of great European and Bengali masters co-existing in communal harmony with a calendar from a local pharmaceutical company, a withering taxidermy and Fuji-colour rendered black and white family portraits. As a parakeet and a cockatoo chirp in unison from the courtyard, my fingers swipe the dust from the walls to unveil yet another treasure. A hand-painted wallpaper from Paris, finely outlined with 18 carat gold! And one thought one knew the city! #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:34am PST

Aaj Ki Khabar